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1 architectura
archĭtectūra, ae, f. Cic. architecture.* * *archĭtectūra, ae, f. Cic. architecture.* * *Architectura. Plin. L'edifice que fait le masson. -
2 architectura
I.Lit., * Cic. Off. 1, 42, 151; Vitr. 1, 1; 1, 3.—II.Trop., of historical representation:Specus ipsa quā concameratur architecturā!
Plin. 11, 24, 28, § 82. -
3 architectura
architectūra, ae f. (греч.)зодчество, архитектура C, Vtr -
4 architectura
architectūra, ae, f. (architectus), die Baukunst, a) als Theorie, Wissenschaft, die Architektur (Ggstz. fabrica, die praktische Baukunst), Cic. de off. 1, 151. Vitr. 1, 1, 3 sq. u.a. – b) als Geschicklichkeit, die Kunst, Plin. 11, 82.
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5 architectura
architectūra, ae, f. (architectus), die Baukunst, a) als Theorie, Wissenschaft, die Architektur (Ggstz. fabrica, die praktische Baukunst), Cic. de off. 1, 151. Vitr. 1, 1, 3 sq. u.a. – b) als Geschicklichkeit, die Kunst, Plin. 11, 82.Ausführliches Lateinisch-deutsches Handwörterbuch > architectura
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6 architectūra
architectūra ae, f [architectus], the art of building, architecture.* * *architecture, art of building -
7 architectura
кір. архітэктураБеларуска (лацінка)-рускі слоўнік і слоўнік беларускай кірыліцы > architectura
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8 архитектура
architectura [ae, f]; ars [artis, f] architectonica -
9 зодчество
architectura. -
10 Vitruvius Pollio
SUBJECT AREA: Architecture and building[br]b. early first century BCd. c. 25 BC[br]Roman writer on architecture and engineering subjects.[br]Nothing is known of Vitruvius apart from what can be gleaned from his only known work, the treatise De architectura. He seems to have been employed in some capacity by Julius Caesar and continued to serve under his heir, Octavianus, later Emperor Augustus, to whom he dedicated his book. It was written towards the end of his life, after Octavianus became undisputed ruler of the Empire by his victory at Actium in 31 BC, and was based partly on his own experience and partly on earlier, Hellenistic, writers.The De architectura is divided into ten books. The first seven books expound the general principles of architecture and the planning, design and construction of various types of building, public and domestic, including a consideration of techniques and materials. Book 7 deals with interior decoration, including stucco work and painting, while Book 8 treats water supply, from the location of sources to the transport of water by aqueducts, tunnels and pipes. Book 9, after a long and somewhat confused account of the astronomical theories of the day, describes various forms of clock and sundial. Finally, Book 10 deals with mechanical devices for handling building materials and raising and pumping water, for which Vitruvius draws on the earlier Greek authors Ctesibius and Hero.Although this may seem a motley assembly of subjects, to the Roman architect and builder it was a logical compendium of the subjects he was expected to know about. At the time, Vitruvius' rigid rules for the design of buildings such as temples seem to have had little influence, but his accounts of more practical matters of building materials and techniques were widely used. His illustrations to the original work were lost in antiquity, for no later manuscript includes them. Through the Middle Ages, manuscript copies were made in monastic scriptoria, although the architectural style in vogue had little relevance to those in Vitruvius: these came into their own with the Italian Renaissance. Alberti, writing the first great Renaissance treatise on architecture from 1452 to 1467, drew heavily on De architectura; those who sought to revive the styles of antiquity were bound to regard the only surviving text on the subject as authoritative. The appearance of the first printed edition in 1486 only served to extend its influence.During the sixteenth and seventeenth centuries, Vitruvius was used as a handbook for constructing machines and instruments. For the modern historian of technology and architecture the work is a source of prime importance, although it must be remembered that the illustrations in the early printed editions are of contemporary reproductions of ancient devices using the techniques of the time, rather than authentic representations of ancient technology.[br]BibliographyOf the several critical editions of De architectura there are the Teubner edition, 1899. ed. V.Rose, Leipzig; the Loeb Classical Library edition, 1962, ed. F.Granger, London: Heinemann, (with English trans. and notes); and the Collection Guillaume Budé with French trans. and full commentary, 10 vols, Paris (in progress).Further ReadingApart from the notes to the printed editions, see also: H.Plommer, 1973, Vitruvius and Later Roman Building Manuals, London. A.G.Drachmann, 1963, The Mechanical Technology of Greek and Roman Antiquity Copenhagen and London.S.L.Gibbs, 1976, Greek and Roman Sundials, New Haven and London.LRD -
11 архитектор
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12 корабельный
naval\корабельный ельная авиация aviation imbarcate\корабельныйельная архитектура architectura naval\корабельныйлекрушение naufragio\корабельныйлестроение architectura nautical\корабельныйль bastimentovascellonave(церкви) nave. -
13 architectonice
architectonicē, ēs f. (греч.) Q = architectura -
14 Vitruvius
Vitrūvius, ī m.Витрувий, римск. nomen; наиболее известен M. V. Pollio, современник Ю. Цезаря и Августа, автор «de Architectura libri decem» -
15 fabrica
fabrica, ae, f. (faber), I) (sc. ars, s. unten) die Kunst, das Metier eines faber (s. d.), 1) eig.: pictura et fabrica (Baukunst), Cic.: f. aeraria, ferrea, Plin. – ars fabrica, Zimmermannskunst, Paul. dig. 33, 7, 19. – 2) das Gemächt, a) = der Bau, das Gebäude, Augustin. conf. 6, 9. Solin. 40, 3. Pallad. 1, 9, 2. – b) das Geschöpf = der Mensch, Prud. hymn. de nat. dom. 45. – 3) übtr. (wie τέχνη) = Kunstgriff, List, Plur. Ränke, hanc fabricam apparare, Plaut.: fingere aliquam fabricam, Ter.: rationem mearum fabricarum dabo, Plaut.: fabricarum culpare alqm, Amm. – II) die Ausübung einer Kunst, die Beschäftigung mit einer Kunst, 1) eig.: a) im allg.: aerariae artis, Iustin. 36, 4, 4. – b) insbes., die praktische Ausübung der Baukunst, die Praxis, Ggstz. ratiocinatio (Theorie), Vitr. 1, 1 in., od. Ggstz. architectura (die theoretische Baukunst), Vitr. 6. praef. § 6. – 2) meton.: a) die Art u. Weise der Bearbeitung = die Bearbeitung, Bildung, der Bau, f. aeris et ferri, Cic.: f. membrorum, Gliederbau, Cic.: divina mundi f., Lact.: materia quid iuvaret, nisi consectionis eius fabricam haberemus, wenn wir es nicht zu bearbeiten (zu zimmern) verständen, Cic. – b) die Kunstfertigkeit, Geschicklichkeit, fanum sollerti fabricā structum, Apul. met. 6, 3. – III) (sc. officina) die Werkstätte, zB. Tischlerwerkstätte, Ter. adelph. 584: Schmiedewerkstätte, Schmiede, Cic. de nat. deor. 3, 55: Waffenschmiede, Veget. mil. 2, 11 (u. dazu Stewech). – übtr., tantarum fabrica rerum, Paulin. adv. pagan. 203.
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16 Vitruvius
Vitrūvius, iī, m., vollst. M. Vitruvius Pollio, angebl. aus Verona, Kriegsbaumeister unter Cäsar u. Augustus, dessen wahrsch. 27. v. Chr. abgefaßte Schrift de architectura libri X wir noch besitzen, Sidon. epist. 4, 3, 5 u. 8, 6, 10. Vgl. W. Teuffel Gesch. der röm. Liter.6 § 264.
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17 Bankunst
Bankunst, architectura (die theoretische). – fa. brica (die praktische). – Baukünstler, architectus (der theoretische). – faber aedium (der praktische). – Bauleute, fabri aedium (die das Gebäude aufbauen, Zimmerleute). – structores (alle Handwerker, die bei der Aufführung eines Baues beschäftigt sind, wie Zimmerleute, Maurer etc.). – fabrorum operae (die Handlanger).
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18 fabrica
fabrica, ae, f. (faber), I) (sc. ars, s. unten) die Kunst, das Metier eines faber (s. d.), 1) eig.: pictura et fabrica (Baukunst), Cic.: f. aeraria, ferrea, Plin. – ars fabrica, Zimmermannskunst, Paul. dig. 33, 7, 19. – 2) das Gemächt, a) = der Bau, das Gebäude, Augustin. conf. 6, 9. Solin. 40, 3. Pallad. 1, 9, 2. – b) das Geschöpf = der Mensch, Prud. hymn. de nat. dom. 45. – 3) übtr. (wie τέχνη) = Kunstgriff, List, Plur. Ränke, hanc fabricam apparare, Plaut.: fingere aliquam fabricam, Ter.: rationem mearum fabricarum dabo, Plaut.: fabricarum culpare alqm, Amm. – II) die Ausübung einer Kunst, die Beschäftigung mit einer Kunst, 1) eig.: a) im allg.: aerariae artis, Iustin. 36, 4, 4. – b) insbes., die praktische Ausübung der Baukunst, die Praxis, Ggstz. ratiocinatio (Theorie), Vitr. 1, 1 in., od. Ggstz. architectura (die theoretische Baukunst), Vitr. 6. praef. § 6. – 2) meton.: a) die Art u. Weise der Bearbeitung = die Bearbeitung, Bildung, der Bau, f. aeris et ferri, Cic.: f. membrorum, Gliederbau, Cic.: divina mundi f., Lact.: materia quid iuvaret, nisi consectionis eius fabricam haberemus, wenn wir es nicht zu bearbeiten (zu zimmern) verständen, Cic. – b) die Kunstfertigkeit, Geschicklichkeit, fanum sollerti fabricā structum, Apul. met. 6, 3. – III) (sc. officina) die Werkstätte, zB. Tischlerwerkstätte, Ter. adelph. 584: Schmiedewerkstätte, Schmiede,————Cic. de nat. deor. 3, 55: Waffenschmiede, Veget. mil. 2, 11 (u. dazu Stewech). – übtr., tantarum fabrica rerum, Paulin. adv. pagan. 203. -
19 Vitruvius
Vitrūvius, iī, m., vollst. M. Vitruvius Pollio, angebl. aus Verona, Kriegsbaumeister unter Cäsar u. Augustus, dessen wahrsch. 27. v. Chr. abgefaßte Schrift de architectura libri X wir noch besitzen, Sidon. epist. 4, 3, 5 u. 8, 6, 10. Vgl. W. Teuffel Gesch. der röm. Liter.6 § 264.Ausführliches Lateinisch-deutsches Handwörterbuch > Vitruvius
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20 архітэктура
lat. architectura
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См. также в других словарях:
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